(Source: rubyetc, via loveyourchaos)
A haiku from the article: Iowan’s Playbook, for Women to Win Men’s Vote
(Source: timeshaiku)
Hello,
As I said earlier, I will be deleting this pup and switching over to a new tumblr blog. Incase you still wanna follow, you’ll be able to find me at:
Thank you.
(Source: who-lit-the-house-onfire-again, via the-front-butts)
gonna delete my account and probably start a new one. I’ll post the name of it later today. Grand Monday to you all.
In loneliness, the lonely one eats himself; in a crowd, the many eat him. Now choose.
—Friedrich Nietzsche (via wordsnquotes)
(Source: wordsnquotes, via arte-fucked)
Almost. It’s a big word for me. I feel it everywhere. Almost home. Almost happy. Almost changed. Almost, but not quite. Not yet. Soon, maybe.
—Joan Bauer (via moaka)
(Source: conflictingheart, via loveyourchaos)
Subway, New york (Images from 70s and 80s)
(via whadafunknyc)
Jamel Shabazz: Street Photographer
Charlie Ahearn’s Film Retraces a Moment in New York Style - Video 1 / 2 / 3
As a teenage photographer in early 80s East Flatbush, Brooklyn, Jamel Shabazz set out to document the then nascent movement of hip-hop. Through the iconic style of his MCs, neighborhood kids and gang members, the unequivocal attitude of New York’s youth was recognized as the calling card of the city’s creative renaissance. Published in 2001, Shabazz’ first book Back In The Days was celebrated as an exhilarating snapshot of the times, and his visual flair has been brought to life in a new documentary by the legendary hip-hop historian and director, Charlie Ahearn. “On the cover of Jamel’s book were two young men on 42nd Street. They were captured posing in such strong form as a kind of respectful bulwark against all the chaos that you see around them on ‘The Deuce,’” explains Ahearn, the notable filmmaker also responsible for the classic old-school movie, Wild Style. “I immediately knew that here was an original artist for our time.” [1]
©jamel shabazz.all rights reserved
(Source: visualjunkee)



